Late Afternoon Sun

A view of Phoenix on a winter day, late afternoon.
Focused on simplifying shapes and values.

6 x 8, oil on card board

Low Key With A Few Lights

It looks like a storm in the background. it's actually a mountain.

This is an hour sketch. Working on my speed skills.

Not Alla Prima

As much as I love alla prima painting, there is a richness and depth that can be had with working and reworking over a painting. This one is an example of that. I did a lot of glazing, scraping  and over painting.

It's not finished, I've been working on it off and on for a few months.

Gouache

Just South of Downtown Phoenix in the old warehouse district. A little gouache study.

I may have mentioned before, I have a love hate relationship with gouache. I enjoy it's opacity and the unexpected accidents that happen. And I love the matte satin finish. It can be a little tricky though because it changes value so much as it dries.

Drawing and Probity

Drawing is the probity of art - Jean Dominique Ingres. I had to look up probity: uncompromising adherence to the highest principles and ideals. That could have more than one meaning.  

One is, you can't fake it in drawing. In painting, you can dress things up with color, texture, showie brushwork, etc. But in drawing its just you, your pencil and the paper. You are somewhat naked to the world showing all your strengths and your faults. 

This is good in at least 2 ways. First, it reveals what you need to work on. But more importantly, it gives you the most direct form of expressing your ideas and perceptions. 

Milton Glaser tells a wonderful story.* His wife brought home a gift, a new turntable for his classical records. The store owner said it was the best you could buy. It was just a slab of wood with a turn table and the stylus arm. No automatic retraction of the arm, no dials or controls except for an on and off switch. 

"What did you pay for this"?

"A thousand dollars".

Milton went back to the store and asked the owner what was up with this simple device costing $1000?

"Did you swindle my wife?"

"Did you try playing it?"

"No."

"Go try it and then come back."

Of course, when Glaser played it, his records sounded better than ever. When he went back to the store, the owner explained that for the best sound, you want as little interference between the initial signal and the final sound. Every time you add a spring for automatic retraction of the arm, a dial for this, a knob for that, you create interference.

In drawing, its just pencil and paper, dark and light. Straight from your perception to the final image with minimal interference. Probity.

*I can't find the original story so this is best as I can remember it. Details may be off but the basic idea is accurate.

Fast Color Sketches

I've been trying to get out every morning and do a painting. It's not been easy as I am still in the final stages of finishing the illustrations for "The Tomb Robbers And King Tut" (the book I am illustrating for Viking Books). I often find myself in the position of having a finite segment of time with an infinite amount of things I would like to paint and wanting to make the best use of my time and not waste it on a lousy painting. I often thereby paralyze myself with indecision. Then I was looking through Kevin Macpherson's book and saw this little 3 x 5 color sketch he did. It inspired me. So the last few days I have been going out and doing 2 - 4 little color sketches/notes in about an hour. They are 4 x 5 inches. I am using a #6 bright for a brush, which is fairly large for that size of painting. This of course speeds up the process and forces me to really simplify.

Monday I went out to the Salt River basin just NE of Mesa. I arrived early and was all set up by 5:30 when the sun was beginning to peak over the horizon. This was my first painting. It had the moon getting ready to set.

I then drove down the road a ways where Red mountain was getting the early warm rays of the sun.

Turning about 90˚ to the right was this view of the layers of mountains.

Ink Studies, Siguenza Spain and Heber Utah

I'm wanting to take a break from the city work I've been doing. Just for awhile.b So here are some ink studies I've been doing to explore some ideas for paintings. In these studies, I am trying to break the composition down to about 3 or 4 main values.
These first 2 are based on sketches and photos from a trip to Spain a few years ago.

In the mountains of Utah is the Heber Valley. My Mom was born there and then grew up not far away in the then mining town of Park City. We visited there every summer of my childhood. We now have a cabin in the same vicinity, thanks to my wife's family, so we continue to spend a week or 2 there every summer. For years I have thought, I need to paint this place. I'm finally going to start. This again is based on a photo from some time ago.

The Color of Brown

Last week I posted a plein air painting I did of this building in Phoenix. I wasn't overly happy with it but I felt there was potential. Here is a second version that I did in the studio. I cropped in closer and gave more thought to the color of the building. I like the compression of space that happens when you paint a small part of a distant view.

Here is last weeks version.

Backlighting = Shapes

A small study based on a photo in Phoenix. As I've mentioned before, backlighting often provides strong / dark light patterns and shapes to work with.

To Paint…or not…

This is an older apartment building that has intrigued me for years. It is nothing fancy, just a solid building from…the 40's? I've often thought about painting it but never quite got the final click in my head that there was something worth spending a few hours on. Last week I went into Phoenix to paint, after driving around for over an hour, I decided to give this place a shot. I think there are some possibilities here I want to further explore. 8x10 on canvas mounted to board.

Fast food

This KFC gave me a chance to work with some interesting shapes and thick paint. Painted this past Monday morning, 6x8.

Urban Bungalow

Another plein aire bungalow.